WESTERLY — Doyle Bramhall II, a vocalist, guitarist, composer and producer who worked with Eric Clapton for more than a decade and played with the Westerly-influenced Fabulous Thunderbirds, will perform Saturday at the Knickerbocker Music Center at an 8 p.m. concert.
Clapton once called Bramhall, son of the late Texas music legend Doyle Bramhall, one of the most gifted guitarists he had ever encountered, according to the folks at the Knick.
Bramhall was raised in a home filled with the blues and rock ’n’ roll styles indigenous to Texas, according to notes on his website. The elder Bramhall played drums and was also an accomplished songwriter and vocalist, not to mention a lifelong collaborator with childhood friends Stevie Ray and Jimmie Vaughan, who composed such SRV signature tunes as “Change It” and “Life by the Drop.”
But the younger Bramhall, says his website, “a rare and distinctive guitarist who plays left-handed, but with his instrument strung for a right-hander and flipped backwards,” had his own connections with the Vaughan brothers: Early in his career he was befriended and supported by Stevie. When he was 18, Bramhall was recruited by Jimmie to play with the Fabulous Thunderbirds. After Stevie’s tragic death in 1990, Bramhall II and Charlie Sexton formed the Arc Angels with Stevie Ray’s fabled Double Trouble rhythm section of drummer Chris Layton and bassist Tommy Shannon.
The Arc Angels’ self-titled debut album yielded such widely popular songs as “Living in a Dream” and “Sent by Angels” before disbanding. Introducing himself as a solo artist in 1996 with Doyle Bramhall II, he followed with a pair of critically acclaimed albums, Jellycream (1999) and Welcome (2001). It was then that Bramhall’s unparalleled guitar mastery won the attention not only of Clapton but Pink Floyd’s Roger Waters, who showcased him on his 1999, 2000 and 2002 In the Flesh concert tours and companion CD and DVD.
Clapton, meanwhile, came next. He featured Bramhall songs and guitar as part of his Grammy-winning “Riding with the King” album with B.B. King, also of 2000. He then recruited him full-time, and they toured together worldwide, thrilling fans with their dramatic guitar interplay and drawing comparisons to past Clapton triumphs such as Derek & the Dominoes. Clapton’s ensuing 2004 albums “Me and Mr. Johnson” and “Sessions for Robert J” both showcased stirring Clapton-Bramhall guitar duets recorded in the same Dallas room where Robert Johnson recorded his classic blues songs in 1937. Bramhall’s own songwriting talent was highlighted in “Clapton’s Reptile"” (2001), “Back Home” (2005) and “The Road to Escondido” (2006) albums, and he later co-produced Clapton (2010) and Old Sock (2013). In 2013 he again joined Clapton on his 50th anniversary tour and played on his 2014 album “The Breeze: An Appreciation of JJ Cale.”
In addition to his work with Clapton, Bramhall became an in demand composer, guitarist and producer. He enjoyed high profile collaborations producer, with a broad range of other major artists, including T-Bone Burnett, Elton John, Gary Clark, Jr., Gregg Allman, Dr. John, Robert Randolph, Allen Toussaint, Billy Preston, Erykah Badu, Questlove, Meshell Ndegeocello and Sheryl Crow, for whom he contributed songs and produced 100 Miles from Memphis (2011) and performed on her tour supporting it. In 2015 he teamed with ace Allman Brothers Band guitarist Derek Trucks (with whom he was proclaimed “The New Guitar Gods” by Guitar Worldwhen both served in Clapton's band in the late 2000s) in the Tedeschi Trucks Band, also starring Trucks’ wife Susan Tedeschi. Bramhall’s songs and guitar playing have graced each of the three, critically acclaimed Tedeschi Trucks Band albums issued to date.
With all this outside activity, Bramhall hadn’t made a solo album since “Welcome.” But besides honing his skills as a producer, he had stockpiled for himself songs apart from those written for others, and when they were selected and sequenced for his fourth solo album, “Rich Man.,” they documented an intensive spiritual and musical journey that took him to the other side of the world in search of new sounds, and an inner peace sought following the death of his father in 2011.
In the four years following his father’s death he had extensively explored India and Northern Africa, these trips being manifest on Rich Man’s inclusion of the North Indian classical bowed string instrument sarangi—played by virtuoso Ustad Surjeet Singh—and the bowl-shaped Arabic oud lute, played by Bramhall’s own oud teacher Yuval Ron, the renowned Israeli composer-player-arranger.
Also appearing on “Rich Man” is Norah Jones, with whom Bramhall had been performing with every six months or so in a concert series. The duet “New Faith” was emblematic of the entire album in its hope that people can look beyond all that divides them and find a new way of thinking that enables peaceful progress through mutual respect and understanding.
Tickets are $30 in advance and $35 at the door. Doors open at 7 p.m. Show starts at 8 p.m.
-- Nancy Burns-Fusaro